Eddie’s widow, and later Racer Sessions (who reissued some of his late-career works), have been notoriously protective of this book. There was a rumor of a 2019 "re-typeset" edition by a German musicologist, but it was never licensed.
Notice there is no scale. There is only distance. This is the Intervallistic Concept in a nutshell. Why do musicians obsess over a "patched" PDF of a book written 50 years ago? Because the concept works. eddie harris intervallistic concept pdf patched
Harris argued that scales inhibit creativity. When you see a chord symbol, your brain instinctively reaches for the familiar scale pattern (finger memory). This kills spontaneity. Eddie’s widow, and later Racer Sessions (who reissued
This article will explain what the Intervallistic Concept is, why every PDF copy online is broken, what a "patched" version entails, and—most importantly—how to actually apply Harris’s genius to your horn without relying on corrupted files. Before we discuss the "patch," we must respect the source. Eddie Harris (1934-1996) was not a typical bebop player. He was the man who recorded the million-selling jazz hit "Exodus" (1961) using a Varitone amplified saxophone—an electronic device derided by purists but wholly embraced by Harris. There is only distance
C - D - B - C# - Bb - A - G# - F# - G - F - E