Juan — Gotoh New

Visit Gallery Kobo’s online viewing room (launching December 15, 2024) to see the first three new works. Pre-order the "Kaze / Viento" exhibition catalog. And most importantly, forget everything you knew about Juan Gotoh. He has. Are you following the latest on Juan Gotoh’s new direction? Which phase of his career do you prefer—the digital precision of 2021 or the paper fragility of 2024? Share your thoughts in the comments below.

Whether this new direction will cement his legacy as a genius or end as a cautionary tale remains to be seen. But one thing is certain: The new Juan Gotoh is impossible to ignore. juan gotoh new

In a lecture last week at the Kyoto Institute of Technology (available on YouTube as "Juan Gotoh: The New Silence"), he introduced a fresh conceptual axis: He has

For this new body of work, Gotoh has turned exclusively to kozo (Japanese mulberry paper) and natural, hand-ground pigments sourced from the Andes. The result is a dramatic departure from his previously slick, almost digital aesthetic. The new pieces are fragile, translucent, and layered—revealing torn edges, embedded plant fibers, and what appears to be gold leaf applied in erratic strokes. "Canvas was a shield," Gotoh stated in a rare new interview with ArtAsiaPacific . "The new paper is a wound. It accepts the ink, it bleeds, it tears. I no longer want to control the material. I want to argue with it." For collectors, this represents a seismic shift. His earlier works commanded prices between $15,000–$40,000. Early whispers from the Art Basel Miami preview suggest the new paper works are already being pre-sold for significantly higher due to their fragility and uniqueness. While many artists are rushing to generate images with artificial intelligence, the new Juan Gotoh is doing the opposite. He recently unveiled a provocative project titled "The Ghost in the Algorithm." Share your thoughts in the comments below

The new Juan Gotoh is fragile, paper-thin (literally), and philosophically raw. He has abandoned the digital slickness that made him famous for the tactile uncertainty of handmade paper and accidental marks. He has stopped trying to reconcile his Japanese and Argentine halves and instead allows them to misunderstand each other on the page.

This "Juan Gotoh new" technique has gone viral on niche art forums, with one Reddit user calling it "hauntingly postmodern—a painting of what the machine forgot." A limited set of 10 digital animations based on this process will be auctioned via in January 2025. 3. New Exhibition: "Kaze / Viento" at the ASU Art Museum If you are searching for "juan gotoh new" to find where to see his work next, mark your calendar for March 15 – August 10, 2025 .